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Suite Extracts Vol. 1

by Michael Leonhart Orchestra

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  • Streaming + Download

    Pre-order of Suite Extracts Vol. 1. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases August 30, 2019

      $9 USD  or more

     

  • Compact Disc (CD) + Digital Album

    Digipak edition of Michael Leonhart Orchestra's "Suite Extracts Vol. 1".

    Includes digital pre-order of Suite Extracts Vol. 1. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases August 30, 2019
    item ships out within 4 days
    Purchasable with gift card

      $12.98 USD or more 

     

1.
Alu Jon Jonki Jon
2.
La Fuga Di Derek
3.
Big Bottom / Lonely Woman
4.
Dance of the Maidens at Stonehenge
5.
Built for Comfort
6.
Jazz Odyssey / Lick My Love Pump
7.
Liquid Swords
8.
Da Mystery of Chessboxin'
9.
Liquid Chamber
10.
11.
The Ballad of St. Hubbins
12.
Quiet Man Is Dead Man / Opposite People

about

24 bit / 96k

Hailed as "a blazing hot mess of awesome" by The New York City Jazz Record, the Michael Leonhart Orchestra (MLO) traverses a huge swath of musical terrain, guided by the highly developed ears, ceaselessly omnivorous tastes and playful yet meticulous artistry of its leader, Michael Leonhart. Following their 2018 debut album The Painted Lady Suite, MLO will release their second full length album, Suite Extracts Vol. I on August 30, via Sunnyside Records.

The first single from the new album is “Shimmy Shimmy Ya/Glaciers of Ice,” an orchestral instrumental medley of songs by Ol’ Dirty Bastard and Raekwon from “The Wu-Tang Suite."

This surprising collection documents an aspect of the MLO’s mission: playing covers, but in the Leonhart way — with widely disparate material ranging from Fela Kuti to Spinal Tap to Howlin’ Wolf to Ornette Coleman curated into suites, forming anarchic yet coherent thoughts on many of Leonhart’s chief musical passions. The album features notable guests Chris Potter, Nels Cline, Donny McCaslin, John Ellis, Erik Friedlander and many others in the context of a vibrant and unclassifiable 20-piece ensemble.

Leonhart says, “there’s a certain abandon and freedom in all the material. A lot of it has a backbeat, which the first album really didn’t. This album is more muscular in many ways. It reflects what we’re doing live: less of the pastoral, transcendent mood pieces, the sonic baths, and more of the groove interaction.”

Leonhart’s approach to the MLO cannot but be informed by his many other activities and wide-ranging credits: he’s a top-level jazz trumpeter and longtime member of Steely Dan; a gifted and distinctive pianist; a singer, songwriter and film composer; a session player with credits including the Bruno Mars/Mark Ronson megahit "Uptown Funk"; an accomplished orchestrator (Nels Cline’s Lovers) and producer (Donald Fagen’s Sunken Condos, Sachal Vasandani’s Slow Motion Miracles). The polyglot musical worldview Leonhart has developed as a result stamps the MLO’s work at every moment.

The MLO has developed and refined the suites through the course of its monthly residencies at Jazz Standard, one of New York’s most prestigious jazz rooms. Leonhart continues to pursue his vision there, with unconventional instrumentation and a shapeshifting community of sought-after players from a variety of cutting-edge scenes and disciplines.

Plotting next steps, Leonhart has a specific scheme in mind for the MLO. Another all-original album, like Painted Lady, will follow this one; then another album of covers. And that sequence will continue to alternate. Candidates among the covers include a Bernard Herrmann Psycho suite, a Charlie Brown Christmas suite, an Ennio Morricone suite, a Cannonball Adderley suite and more. Originals to come include “The Normyn Suite,” a meditation on loss in honor of Leonhart’s late dachshund, and “The Galapagos Suite,” inspired by a recent trip. “We’re playing catchup with the amount of songs we have ready,” the leader says. “I think there are 80 songs in the book and we’ve released about 22. It’s a really creative time.”

credits

releases August 30, 2019

Michael Leonhart - arranger, conductor, trumpet, mellophonium, drum machine (7, 8), bass harmonica
Kevin Raczka - drums (1, 3, 4, 5, 8, 10, 12)
Eric Harland - drums (3, 4, 6, 11)
Elizabeth Pupo-Walker - percussion
Daniel Freedman - percussion (4)
Joe Martin - bass
Jay Leonhart - arco bass (11)
Robbie Mangano - guitar
Nels Cline - guitar (4, 6, 11)
Nathan Koci - accordion
Philip Dizack - co-lead trumpet
Dave Guy - co-lead trumpet
Jordan McLean - trumpet
Carter Yasutake - trumpet
Andy Bush - trumpet (10)
Ray Mason - trombone
John Ellis - tenor saxophone, bass clarinet & alto flute
Ian Hendrickson-Smith - tenor saxophone & alto flute
Chris Potter - tenor saxophone (1, 5)
Donny McCaslin - tenor saxophone (3, 6, 8, 11)
Jason Marshall - baritone saxophone
Sam Sadigursky - piccolo & alto flutes (1, 6, 11, 12)
Daniel Srebnick - alto flute (2)
Sara Schoenbeck - bassoon & contrabassoon
Pauline Kim - violin & viola
Erik Friedlander - cello
Milo Leonhart - additional cello (6)

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Michael Leonhart New York, New York

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